Hi!
I’m Elvira — a multidisciplinary designer from Stockholm, Sweden with a fresh degree in Packaging Design and a background that weaves through fashion, fine arts, and design history. My path through various creative fields has given me a broad, intuitive approach to design, blending aesthetics, structure, and narrative.
Prior to studying packaging, I worked at the menswear store A. Marchesan, where I created in-store and brand visuals. Before that I studied fashion design at Beckmans evening courses aswell a dressmaking and pattern konstruction at
St eriks, and fine arts at Södra latins Gymnasium. These disciplines shape how I think about form, color, and visual balance. Whether I’m crafting a brand’s tactile presence or experimenting with typography, I approach each project with curiosity and care.
I’m especially inspired by design from the early 1900s. The design philosophies of Wiener Werkstätte, the fashion meets art feel of 1920s–40s fashion publications, and the refined minimalism of Japanese graphic design from this era are constant sources of fascination. I love work that feels intentional — where beauty and function meet with clarity and a touch of surprise.
When I’m not designing, I’m likely flipping through vintage magazines, pitching new concepts, or hunting down obscure art books.
Let’s connect — whether you’re looking to collaborate, have a project in mind, or just want to talk design history.
My Background
I am a multi diciplinary designer from Sweden with a fresh degree in packaging design.
I have a ever growing passion for design from the early 1900s, Wiener werkstätte, fashion magazines from the 1920-1940s and japanese graphic design from this era is some of my favourites.
Rooted in design history, shaped by modern tools.
I aim to design with feeling; I´m creating work that’s honest, engaging, and grounded in something deeper than trends.
Design from the past wasn’t nostalgic — it was new, bold, and made to last.
That’s how I see it still.
About
Mission & values
With great admiration of the art and crafmanship of graphic design and packaging of the past and progress and tools of modern day I strive to offer the best of both worlds.
Hi! I’m Elvira — a multidisciplinary designer from Stockholm, Sweden with a fresh degree in Packaging Design and a background that weaves through fashion, fine arts, and design history. My path through various creative fields has given me a broad, intuitive approach to design, blending aesthetics, structure, and narrative.
Prior to studying packaging, I worked at the menswear store A. Marchesan, creating in-store and brand visuals. Before that I studied fashion design at Beckmans, st eriks and fine arts at Södra latins Gymnasium — disciplines that continue to shape how I think about form, color, and visual balance. Whether I’m crafting a brand’s tactile presence or experimenting with typography, I approach each project with curiosity and care.
I’m especially inspired by design from the early 1900s. The design philosophies of Wiener Werkstätte, the fashion meets art feel of 1920s–40s fashion publications, and the refined minimalism of Japanese graphic design from this era are constant sources of fascination. I love work that feels intentional — where beauty and function meet with clarity and a touch of surprise.
When I’m not designing, I’m likely flipping through vintage magazines, pitching new concepts, or hunting down obscure art books.
Let’s connect — whether you’re looking to collaborate, have a project in mind, or just want to talk design history.
Hi! I’m Elvira — a multidisciplinary designer from Stockholm, Sweden with a fresh degree in Packaging Design and a background that weaves through fashion, fine arts, and design history. My path through various creative fields has given me a broad, intuitive approach to design, blending aesthetics, structure, and narrative.
Prior to studying packaging, I worked at the menswear store A. Marchesan, creating in-store and brand visuals. Before that I studied fashion design at Beckmans, st eriks and fine arts at Södra latins Gymnasium — disciplines that continue to shape how I think about form, color, and visual balance. Whether I’m crafting a brand’s tactile presence or experimenting with typography, I approach each project with curiosity and care.
I’m especially inspired by design from the early 1900s. The design philosophies of Wiener Werkstätte, the fashion meets art feel of 1920s–40s fashion publications, and the refined minimalism of Japanese graphic design from this era are constant sources of fascination. I love work that feels intentional — where beauty and function meet with clarity and a touch of surprise.
When I’m not designing, I’m likely flipping through vintage magazines, pitching new concepts, or hunting down obscure art books.
Let’s connect — whether you’re looking to collaborate, have a project in mind, or just want to talk design history.
Rooted in design history, shaped by modern tools — my work balances character and clarity, tradition and innovation.
I aim to design with feeling — creating work that’s honest, engaging, and grounded in something deeper than trends.
